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Had some bad news today -- a friends son passed away. I was thinking about the tragedy of a mother loosing her son and all the relationships in ones life that are effected. All of the sudden I saw new Irish Chain.
I stared with four colours. The cross through the middle is black. This represents the son.
Next is a red square that morphs with extensions. This is the son's wife, red for the passion of that relationship.
Then comes the blue, representing the father, and the intellectual connection I witnessed between the two. It begins as a square coming in from the edges, then I move it to surround the red and again extending to the edges.
Finally there is a dark green, a nurturing colour representing the mother. This row we only can see connecting at the bottom -- most of it is out of the picture plane where it remains unseen, because that is what Mom's do, they bear a lot where no one can see.
I am not sure how to support my friend, but I hope that spending time thinking of her in her time of grief somehow sends comforting energy her way.

Praise for Carol

Last week I returned home from Whidbey Island, Washington, a short fairy ride from Seattle. It is a charming little coastal area in al the ways one would expect.
I was there to take a class from Carol Soderlund http://www.carolsoderlund.com/
She is a genius who teaches about colour. I took 'Color Mixing For Dyers'. A terrific introduction to color, dying and how to get predictable and repeatable results.
I say she is a genius because, well it's true. The reason is her mind. She not only has a colour theory that opened my eyes to colour in a new way and answered many questions I had, but her method of problem solving is phenomenal. Talk about a beautiful mind!

The other terrific outcome from the class was a swatch book. Swatches we dyed in class for over a thousand colours. A beautiful thing. Now the only thing that remains is to dye some fabric!

I have been working for a while on motifs for Nancy Crow's "Sets and Variables" class beginning next Sunday. After piecing a few different blocks or motifs yesterday I decided to take a simpler approach... ink on paper. I created 5 motifs on 2 inch squares of paper and then moved them around and photographed the results. Here they are for you to see.

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I posted these Contour Drawings earlier, but have had several questions so I thought I would write about them more; what the process is, what the objective is..



Contour drawings are all about learning to see - observation!

Begin by choosing an object. It might be a simple object like a doll (my first image) or a photo (the second image) or another drawing (third). Choosing a simple object to start is best, clean lines,minimal detail.

Place this object in direct view, but away from your drawing surface. If you are quilting then the machine is in front of you and the object should be to your right or left or perhaps above you (the doll and photo were about 18 inches in front of me and just slightly higher than eye level). They should be in a place where looking is easy not strained.

You are going to move your eye slowly along the edge of the object. Meanwhile you are moving your hand at the same rate you are moving your eye (thus the slow motion of eye!). Keep moving your eyes and following with your hands -- not looking at your hand/drawing. One discipline is not looking.

A contour drawing should be done for one to five minutes. All that time you are focusing on the object and NOT looking at the drawing.



The drawing will not look like the object. People who are deft at this and practice a lot still have drawings that look amateur. The resulting drawing is NOT the point. The act of looking IS!
When I did the first drawing I used all white thread on a black ground. The second and third I began with a thread that blended more with the fabric. Did a second drawing atop the first in a slightly more prominent thread and then did a sighted drawing (looking at object and drawing) with a contrasting thread. This way I was using one quilt sandwich and getting several contours out of it! You can do the same thing with drawing - I have used coloured pencil on paper and used a pale colour, then darker then darkest. Then I can differentiate the first attempt from second and so on.




Give it a try.
Remember the objective is LOOKING!
Your drawing might not look like the object! And that is fine!

I could not believe it until I saw it with my own eyes! Yesterday my neighbor called to say she had seen a peacock in her yard. This may not strike you as odd if you know we live in the country. To me it was a shock. I had no idea that peacocks would live around here... In Tennessee?!
Today she called again, "He is headed down the hill to your place."
Out the door I flew with my new "Flip Mino" and shot this video.
The video is five minutes long. About two and a half minutes in the peacock moves and he strolls across the screen
I still can not believe that I saw a peacock in my woods!

I have spent this afternoon playing with Lino Printing.
I got some "Speed Ball" blanks, a carving kit and created a group of blocks. I used the printing as part of the pre-class exercises for the upcoming 'Sets and Variables' class I am taking with Nancy Crow. We are supposed to play with a motif. I am playing and having too much fun!
Here are shots of my sketch book with my motifs.

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Spring is really here. The cold weather has subsided and the trees and plants are budding... we have new tulips, muscari and daffodils coming up (Thanks Chris, Brenda, Zachary and Rebecca for the great Christmas gift!). As well the Cherries we planted a few years ago are blooming beautifully for the first time since planting. New crab apples and red buds are displaying great color as are the forsythia -- love that yellow!
Now for the pollen sensitive allergies to subside...