


My pal Kate, at right is such a joy... for a holiday gift I made her a pillow with a stumpwork initial, beading and quilting. Not the radiance that she portraits, but lovely none the less.

Now You Shall Have Art! This is where I share my inspiration, work and occasional frustrations. Enjoy. and let me know what you think!
This is a present in process. I am hoping that the recipient will not see it. I had to share it as I am SO EXCITED that this little bag (it will be) has it's points matching. And I only redid two seems. Not bad!
After this election I decided I could try anything!
If someone knows what this manner of setting is called -- please let me know. Streak of lighting? Or is that only with 'Log Cabin'?
Most of you probably share my opinion about spiders: I don’t like them. However during the past year living in the country I have grown to appreciate and understand them. They must have had a convention over night because when I took the puppies out for their morning walk around the pond Friday there were the most beautiful spider webs all kissed with dew. Thankfully no spiders were in sight!
Saturday I was introduced to the There you will find a beautiful boardwalk over a swamp. The diversity of plants; berries, leaves, lichen, bark were all visually intriguing. And the light – the light filtering onto the plant filled watery surface was spectacular – a few rocks, trees with knees and buttresses, a turtle and the occasional water lily.
Where have you gone that you were inspired by what you saw?
I created this piece (about 8 x 11) in under an hour. Not bad if you consider that I can create what I want, combinations of color, a specific texture or pattern, basically from scratch.
Here is how: lay a piece of Water Soluble Stabilizer on a work surface. Spray with 505 (temporary adhesive) and sprinkle shards of fabric, yarn, threads onto surface laden stabilizer. These shards are easily cut by laying down small pieces of fabric (You know those bits you cut off of everything; squaring up a block, bits left from fussy cut projects, even botched blocks...) and cutting with rotary cutter. Just roll blade forward over fabric and back again, angling at each pass to create smaller and smaller piece.
Spray a light coat of 505 over the top of fabric and threads. A second layer of stabilizer goes on top. Press lightly. Transfer to sewing machine and stitch. I start with one line of stitching down the center and then going around the circumference. From there you can do whatever. If you don't feel comfortable with free motion the is great practice just drop those feed dogs and go for it! Just remember that you need lots of crossing lines of stitching and it will all distort in the end.
Drop the completely stitched piece into hot tap water and swish about for a minute or so. I usually drain and add more water and then rinse (not the manufacturer's directions, just what I do, you should start with the manufacturer's directions.). I dry like fine knit wear, roll in a bath towel and then kneed. This will leave it damp. You can let it air dry -- I use an iron an medium (watch your fabric and thread content here) and finish drying.
Now you have a beautiful element for to use however your heart desires.
Here is another. I added the machine lace to two quilted pieces layered atop each other and beads.
Bet you are wondering what purpose Mary serves in my work and on my blog! You will have to stay tuned to find out... (dun dun dah!)
This is Sue. Perhaps more accurately a depiction of Sue... I am trying out stitches for a 'drawn' portrait. Here 'Chain stitch' is employed to mixed results. I have been advised to try 'backstitch' and that will post upon it's completion. (Note: there is a janky spot in the drawing. I know it's there and I know you know it's there -- just proves that drawing really does count.)
This is a drawing, or rather drawings from the Atelier: The Contemporary Realist Academy in Memphis where I have been studying. This is on the pose currently underway.
This drawing was created using a variety of graphite (hardness's) in paper and two layers of velum. The paper layer is dedicated to the contour or outline of the model. The next vellum layer is dedicated to the space around the model, background and foreground. The final layer is the shading of the model.
It was done for specific purposes and the effect is lovely...
Designed in this manner to give me references to work from when I translate this to fabric. Something else you will have to check back to see...
Curious? Me too!